« This universe came into being through the activity of the primal atomic (atmic) consciousness. There was nothing, not even a trace of appearance before self-consciousness, and in this state there came into being the consciousness of one's own existence, the awareness of one's own being. In fact, there was no time, nor space, nor cause. The awareness has no cause for it, hence it is futile to name one. There was no time, hence it cannot be dated. There was no space, hence its location is meaningless; yet the atomic consciousness was felt as such and nothing more, why so? For there was nothing over and above it to be aware of! The awareness only of being was there. How long this state lasted, there are no means to ascertain; but the great miracle is that the self-consciousness was there; with it was the cosmic will, followed by its realisation. The atomic consciousness, on account of its will and its instant realisation, became many and pervasive. Although apparently many, it is all one in essence. »
http://www.inner-quest.org/NisargadattaSR.htm
C’est ce point qui m’intéresse en premier lieu et qui permet de générer ce sentiment d’immersion troublant que j’évoquais dans mon précédent billet. Dans ce système, le joueur, passe de la position de spectateur, dans laquelle le confinent encore la plupart des œuvres transmédia, à une position d’acteur. Et, contrairement à la plupart des jeux où il incarne un avatar, dans ce concept de jeu, il est invité à jouer « son propre rôle » ce qui rend l’expérience d’autant plus forte. Il a le sentiment de faire partie de l’histoire, elle-même impactée par ses choix et les choix des autres joueurs.
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